If one has ever had the opportunity to bear witness to such televisual delights as any of the Dickensian adaptions, then one will be most acquainted with the manner in which the actors elocute their sentiments.
Does it not seem that we have misplaced the art of verbose, with all its colourful invocations and adopted a slothful approach to communication with the use of prose ?
Does it not seem that we have misplaced the art of verbose, with all its colourful invocations and adopted a slothful approach to communication with the use of prose ?
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